the color page on the other hand is so much more fun to work with. but that is only because it could be so incredible. In my experience fusion has been the most headache-causing tool so far. nuke is also not realtime, but over here it is a bit faster and the caching seems far more reliable than fusion. after effect is not, but its still alot faster.

When keying hair or glass using the Screen Matte setting, you. In the effects Keylight menu, you key the green screen using the color picker and then tune Green Screen Gain and Balance, as well as the Screen Pre-Blur to dial it in. i might share that project when it is finished.īy the way, premiere does also allow realtime-ish greenscreen keying/compositing. By creating a second mask for the hair only, you can fine-tune the settings of the look. i also pushed it to over 100 nodes with all kinds of operations just for testing purposes and it never failed to run smooth, which i cannot say for (standalone)fusion. i did some basic compositing lately with it, its a relief to work with. but in the background it works completely different compared to the fusion page, i think. I mentioned the color page because it's basically a compositing tool on its own. Sorry, I must admit I fail to directly connect what I said with your post because you keep mentioning color page.

Davinci resolve green screen hair